Pictures that bring joy

Pictures that bring joy
Sable Gallery hosted an exhibition of artists whose work blends philosophy, color, and personal history, filling the gallery space with a unique atmosphere. The gallery brought together people who appreciate genuine art and are sensitive to its inner energy.
The exhibition, organized by Inessa Sabl, was a charitable endeavor. This gesture expressed more than just support, but a profound understanding of the mission of art as a force for unity. The event attracted a wide range of guests, from art enthusiasts to public figures.
This was more than just a cultural gathering, but rather a lively dialogue between people who have not lost their interest in the new and beautiful. Contemporary artists Zhanna Averbukh, Victoria Gorelik, and Phiruzi Sitchinava presented their works.
Zhanna Averbukh's story caught my attention—unexpected yet logical. An engineer and programmer by profession, she once, almost by chance, thought she'd try drawing in retirement. Back then, it seemed like a random thought. Today, it's her calling.
Free time opened her up to a new perspective. It all started with a Nikon camera—the desire to capture a moment. Then came Photoshop, classes at Kingsborough College, recognition from her professors, and the respect of her colleagues. Professor Troyan Tecan spoke of her with sincere admiration, and artist and educator Nancy Rouse noted her rare ability to inspire others.
Zhanna's work is more than just painting. It's a philosophy expressed through color, form, and light.
She speaks of man as a fragment, a consequence of the Big Bang Theory, a part of a once whole. These fragments wander through infinity, seeking one another, striving for recognition and warmth.
There was an explosion. Shrapnel flew,
And in chaos they rushed about,
changing color and shape.
But the memory remains.
About the even light pouring
in consciousness,
About those who were nearby,
melting into nothingness.
And everyone keeps the dream,
Extending the heart
for identification.
Everyone has their own search,
and a dream.
In her works, geometry becomes poetry: lines, triangles, and other shapes create movement and depth. The disparate is united, the inverted becomes reality.
The work depicting the Menorah is particularly expressive—it evokes the almost mystical power of Jerusalem. Other works are also intriguing. Bright flowers as symbols of life, fantastical landscapes, red cities, and the silhouettes of Manhattan rooftops—all of this forms the artist's distinctive artistic style.
She first takes a photograph, then prints the images on canvas, refining them by hand, turning each work into a dialogue between technology and soul. And often the result is born spontaneously—like a revelation.
At one point, the artist turned to a series of illustrations to the Torah. These works became a kind of bridge for viewers: many admitted that they rediscovered the text after seeing them. Even during the difficult times of the pandemic, the exhibition hall was full—a testament to the intense interest in her work.
A touching meeting with the artist's daughter, Victoria, who came with her family, was also touching. Her words expressed not only pride but also deep gratitude for her strength, resilience, and ability to move forward, inspiring others.
Among the exhibitors was Vitochka Gorelik, a talented young woman with whom I once had the opportunity to draw. Despite life's challenges, she continues to create exquisite works and is an excellent sewer.
Marina Lagunova